Ngurragabu

About the production

A great human howl for the damage done to earth, this world premiere from acclaimed dance theatre company Marrugeku brings a haunting speculative future to life.

Envisioned in dialogue with Yawuru and Bardi custodians, choreographer Dalisa Pigram and director Rachel Swain’s latest work draws on a powerhouse ensemble of Indigenous and settler-diasporic performers from Australia, South East Asia and Melanesia to question the cost of survival.

Set in a time of great middens and drowned Country, Ngurragabu [from the last night/next/tomorrow] catapults audiences into visual artist Abdul-Rahman Abdullah’s monumental petrified mangrove forest, inspired by past-future archipelagos connecting northern Australia to east Indonesia.

Techno-futurist music, immersive projections and a stunning set create a world unlike any other, where every movement asks how we might live differently with one another – and with the planet.

Urgent without losing hope, Ngurragabu rewilds the future as a place of radical possibility.

A great human howl for the damage done to earth, this world premiere from acclaimed dance theatre company Marrugeku brings a haunting speculative future to life.

Envisioned in dialogue with Yawuru and Bardi custodians, choreographer Dalisa Pigram and director Rachel Swain’s latest work draws on a powerhouse ensemble of Indigenous and settler-diasporic performers from Australia, South East Asia and Melanesia to question the cost of survival.

Set in a time of great middens and drowned Country, Ngurragabu [from the last night/next/tomorrow] catapults audiences into visual artist Abdul-Rahman Abdullah’s monumental petrified mangrove forest, inspired by past-future archipelagos connecting northern Australia to east Indonesia.

Techno-futurist music, immersive projections and a stunning set create a world unlike any other, where every movement asks how we might live differently with one another – and with the planet.

Urgent without losing hope, Ngurragabu rewilds the future as a place of radical possibility.

  • Venues and Dates

    NGURRAGABU DEVELOPMENT TIMELINE

    Stage 1: creative development
    Broome, April 2025

    Stage 2: creative development
    Carriageworks, Sydney
    Nov/Dec 2025

    Stage 3: creative development and community sharing
    Broome, May/June 2026

    Final Development and Premiere
    Dec/Jan 2027

     

    NGURRAGABU DEVELOPMENT TIMELINE

    Stage 1: creative development
    Broome, April 2025

    Stage 2: creative development
    Carriageworks, Sydney
    Nov/Dec 2025

    Stage 3: creative development and community sharing
    Broome, May/June 2026

    Final Development and Premiere
    Dec/Jan 2027

     

  • Creative Team

    Concept: Dalisa Pigram and Rachael Swain with Patrick Dodson
    Choreographer: Dalisa Pigram
    Director: Rachael Swain

    Created with and performed by:
    Zachary Lopez, Gusta Mara, Stanley Nalo, Jada Narkle, Darci O’Rourke, Taj Pigram, Bhenji Ra, Syarifuddin Sahari and Zee Zunnur. Understudy: Malati Angus

    Cultural Dramaturg: Patrick Dodson
    Dramaturg: Hildegard de Vuyst
    Landscape Futurists/Researchers: REALMstudios (Cate Wallace, Damien Pericles and Maximiliano Olivares Croxatto)
    Composer: Corin Ileto
    Additional music: Daniel Nuhan
    Sound Designer: Michael Toisuta
    Set Designer: Abdul-Rahman Abdullah
    Costume Designer: Matthew Stegh
    Digital Media Designer: Sohan Ariel Hayes
    Lighting Designer: Damien Cooper
    Associate Lighting Designer: Eben Love

    Cultural Knowledge Circle: Bolo Angus (Bardi), Malati Angus (Bardi), Dianne Appleby (Yawuru), Theresa Ardler (Gweagal, Gadigal and Bidjigal), Bibido McCarthy (Bardi Jawi), Bart Pigram (Yawuru), Lloyd Pigram (Yawuru).

    Song (Loorreen): Lullumb recorded by Bolo Angus and Malati Angus

    Production:
    Technical Director: Mitchell Dunn (FreeFlow Projects), Mike Smith (Sep 2025 – May 2026)
    Production Manager: Meredith Rehberg
    Stage Manager: Abby Dinger
    Audio and Video Technician: Raine Paul
    Lighting Technician: Eben Love
    Company Manager: Denise Wilson
    Computational Design & Circular Research Consultants: Arch_Manu / UNSW
    Computational Design and Scenic Fabrication: Composite.Sydney (Richard Blackwell, Max Melamed, Louis Lamont)
    Costume Assistants: Araks Nazarian and Ash Kok
    LiDAR capture: Pete Hill

    Produced by Marrugeku
    Executive Producer: Michaela Coventry
    Creative Producer: Natalie Smith
    Producer (Nov 2025 – March 2026): Hazem Shammas

    Concept: Dalisa Pigram and Rachael Swain with Patrick Dodson
    Choreographer: Dalisa Pigram
    Director: Rachael Swain

    Created with and performed by:
    Zachary Lopez, Gusta Mara, Stanley Nalo, Jada Narkle, Darci O’Rourke, Taj Pigram, Bhenji Ra, Syarifuddin Sahari and Zee Zunnur. Understudy: Malati Angus

    Cultural Dramaturg: Patrick Dodson
    Dramaturg: Hildegard de Vuyst
    Landscape Futurists/Researchers: REALMstudios (Cate Wallace, Damien Pericles and Maximiliano Olivares Croxatto)
    Composer: Corin Ileto
    Additional music: Daniel Nuhan
    Sound Designer: Michael Toisuta
    Set Designer: Abdul-Rahman Abdullah
    Costume Designer: Matthew Stegh
    Digital Media Designer: Sohan Ariel Hayes
    Lighting Designer: Damien Cooper
    Associate Lighting Designer: Eben Love

    Cultural Knowledge Circle: Bolo Angus (Bardi), Malati Angus (Bardi), Dianne Appleby (Yawuru), Theresa Ardler (Gweagal, Gadigal and Bidjigal), Bibido McCarthy (Bardi Jawi), Bart Pigram (Yawuru), Lloyd Pigram (Yawuru).

    Song (Loorreen): Lullumb recorded by Bolo Angus and Malati Angus

    Production:
    Technical Director: Mitchell Dunn (FreeFlow Projects), Mike Smith (Sep 2025 – May 2026)
    Production Manager: Meredith Rehberg
    Stage Manager: Abby Dinger
    Audio and Video Technician: Raine Paul
    Lighting Technician: Eben Love
    Company Manager: Denise Wilson
    Computational Design & Circular Research Consultants: Arch_Manu / UNSW
    Computational Design and Scenic Fabrication: Composite.Sydney (Richard Blackwell, Max Melamed, Louis Lamont)
    Costume Assistants: Araks Nazarian and Ash Kok
    LiDAR capture: Pete Hill

    Produced by Marrugeku
    Executive Producer: Michaela Coventry
    Creative Producer: Natalie Smith
    Producer (Nov 2025 – March 2026): Hazem Shammas

  • Gallery
  • Supporters
    Funding Partners
    Ngurragabu is funded by the Australian Government through Indigenous Language and Arts Program, NSW Government through Creative Industries — Connectivity Program, Shire of Broome, City of Sydney and Feilman Foundation.
    Marrugeku is assisted by the Australian Government through Creative Australia, its principal arts investment and advisory body and is supported by the WA State Government through the Department of Creative Industries, Tourism and Sport and the NSW government through Create NSW.